Every document the lab publishes carries a woven mark — a plain weave generated from the document itself, so no two are alike. The warp runs in adire indigo, the weft in aso-oke gold: the textile traditions of the lab's home. The figure is the argument — a catalogue is fabric, single threads of work crossing over and under until they hold together.
It is the sibling of the guilloché that secures the identity platform: the same engraving discipline, a different vocabulary. You'll see it beside the lab's documents in the library on this site.